Connecting with the ineffable in times of flattening
- Dr. Alessia Lupo Cecchet, La Montagna Addolorata [The Sorrowful Mountain]
- Alex Beth Schapiro, The Third That Remains: Rituals for Patients I Never Met
- Alexandre Sorokin, Noë / Red Cloud: An Apophatic Artistic Research Project
- Dr. Ally Zlatar, Worshipping The Porcelain Throne; Apophatic Autoethnography and Eating Disorders
- Asana Hues, The Significance of Insignificance
- Béatrice Machet, Paul Auster-apophatically-
- Bob Kalivac Carroll, Disruption and Apophasis: Ineffability and the Object Conundrum in Nonobjective Abstract Visual Art
- Caitlin Gilson and Carol Scott, A Conversation on Color: Poetry and Painting as Image, Glimpse, Moment
- Caitlin Mary Margarett Sørensdatter, The Fruits (Solastalgia in Skønvirke)
- Chandni Dhanesh Jeswani, What the City Refuses: Apophatic Cosmology and Structural Illegibility in Varanasi
- The Coven Collective: Chaelim Lim, Dima Mabsout, M. Maybee Salters, Nicole Sarmiento, and Tyler Rai, [Picking up shells amid a tsunami] 쓰나미가 밀려오는데, 조개나 줍고 있네.
- Daniel Martin and Dr. Marty Tomszak, Souls Moved by Intelligent Energies: Practice-Led Iconic Research and the Apophatic Theology of Pseudo-Dionysius the Areopagite
- Denise Gawley DMH MSN RN, Standing in the After
- Denise Gieseke, In the Movement of Dissolution
- Diana Rojas, Query v2; Subject to the Immaterial; Surveying the Messenger 1 & 2
- ELAWIATR, What Is Art – Apophatic Language in Fracture
- Eliza Swann, The eyeless mind
- Pr. émérite Emmanuel Gabellieri, L’expression et l’inexprimé
- Dr. Evgenii Matveev, Apophatic representation of Russia in Russian poetry
- Faizaan Ahab, Move
- Frank Smith, Les Films non exécutables
- Gabriel Figueroa, Chiesa
- Giulia Taurino, Ceci N’est Pas Une Archive: Negative Metadata and the Apophasis of Digital Records
- Dr. Gitanjaly Chhabra and Dr. Kathleen (Kaye) Hare, What Remains Unsaid: Apophatic Erasure in Academic Life and Luminous Edge of Absence
- Hamid Roslan, The Encounter
- iris yuting zeng, The Knot Before Language
- Ishita Dharap, Lossyness: Negotiations with what Routinely Escapes
- Jennifer Toriello, D. Litt., Held by What We Hold: Apophatic Weight and Embodied Practice in The Magic Hour
- Kaleb Ostraff, Touchpoints for the Ineffable
- Karin de Weille, Undone (spoken words)
- Keiran Dugan, Against Immediacy: Fictional Mediation and Apophatic Representation
- KPrevallet, Nothing Erased But Much Submerged
- Dr. Kythe Letitia Heller, S
- Dr. Laura McCullough, Compassionate Curiosity, Apophatic Storytelling, & the Healing Imagination: The Coordinates of Being
- Leslie N. Polk, peace, Colleague #2
- Dr. Lily Filson, The God in the Grotto: Renaissance Automata, Theurgy, and Apophatic Practice
- Marco Nieli, EKPHRASIS I, 121 ecphrastic carmina); EKPHRASIS II, 128 ecphrastic carmina in the 4 styles, with some haiku
- Martin Lenclos, Perception Is the First Creative Act: Toward an Apophatic Reading of Design for Nothing
- Martin Robb, Embracing the unknown: researching the hidden life and enigmatic art of Theodor Kern
- Mayson Taylor, 16 SHOWINGS Toward a Feminist Apophatic Art Practice
- Merel Thijs, On the colours of being: onto-teleological considerations on the artistic-creative process; With closed eyes open: portraits of the mind unwinding
- Mike Petrakis, Arteryficial Intelligence
- Nadine M. Kalin, What Is Withheld Does Not Lack: Waystop Pedagogy as Earth Scores in the Critical Zone
- Natalia Espinel and samantha shoppell, Un/wrapping Vulnerability
- Noelle Derksen, Apophasis and Trans Abstraction
- Radmila Djurica, Body in the Glitch
- Sarah Tarkany, Reticulated Silences
- Smita Sen, High Voltage: On The Heart, Defibrillation, and Competing Philosophies of Medicine
- Sophie Auger, third-image-archive.net
- Stephanie Smit (Giek), Soul Constellation Map — An Interactive Archive of Recurring Identities Across Time
- V.E. Haddad, the feeling when; Dream Commons
- Wayne Adams, Cloud of Unknowing
- William Franke, Desert and Sea: Apophatic Land/Sea Scapes
- Merel Visse
- William Franke
- Ryan Woodring
- Béatrice Machet
- Sarah Travis
- Enaiê Azambuja
- Sarah Tarkany
- Peter Kline
- Kythe Heller
- Cailtin Gilson
- Chelle Stearns
Stephanie Smit (Giek)
Soul Constellation Map — An Interactive Archive of Recurring Identities Across Time
The Soul Constellation Map is an evolving interactive archive exploring identity, memory, soul connections, and cultural continuity across time.
Emerging from years of research into reincarnation, karmic astrology, symbolic correspondences, historical parallels, facial resonance studies, and AI-assisted pattern recognition, the project investigates how individuals, relationships, archetypes, and creative impulses may continue echoing throughout different eras. As recurring patterns accumulated, the research gradually revealed larger relational structures connecting artists, writers, mystics, performers, political figures, and cultural movements across generations.
The constellation approaches identity as fluid, layered, and relational. Instead of locating meaning within isolated biographies, it explores the spaces between lives, histories, and cultural narratives. Through this lens, identity becomes something that unfolds through resonance, recurrence, and connection rather than fixed definition.
This approach aligns closely with apophatic inquiry. The constellation engages forms of knowledge that resist complete articulation, inviting visitors into territories where certainty gives way to pattern, intuition, ambiguity, and symbolic recognition. The archive functions as a living environment in which meaning remains open, continually expanding through new connections and perspectives.
The current constellation allows visitors to explore soul-lineage pathways, relationship dynamics, era clustering, timeline visualizations, and thematic filtering systems. The archive already contains biographies, karmic astrology analyses, symbolic notes, portraits, visual parallels, relationship mappings, and interpretive research connected to many of the individuals represented within the network.
As the project continues to evolve, future iterations will expand the constellation into increasingly immersive and participatory forms. Spatial installations, projection-based environments, performative activations, sculptural costume elements, and interactive navigation systems will allow visitors to move through the constellation as a living landscape of relationships, identities, archetypes, historical figures, thematic connections, and cultural memory. Visitors will be able to interactively explore recurring motifs, soul-lineage pathways, and symbolic correspondences across time, revealing how individuals and archetypal patterns resonate through different historical eras and cultural contexts, while also inviting reflection on how these patterns may resonate within their own lives, identities, relationships, and experiences.
The long-term aim is to create an evolving constellation archive that explores how human lives, archetypes, creativity, and collective memory continue shaping one another across time, while opening space for forms of knowing that remain just beyond the limits of fixed explanation.
Stephanie Smit (Giek) is a Dutch multidisciplinary artist, performer, composer, writer, and independent researcher working across performance, music, installation, costume, digital environments, and artistic research. Her practice explores identity, memory, mythology, consciousness, and the recurring patterns that shape individual and collective experience across time.
Drawing from diverse sources including karmic astrology, symbolic systems, historical research, psychology, ritual practice, and emerging technologies, she develops immersive works that invite audiences into participatory encounters with transformation, meaning-making, and the unknown. Her projects often combine artistic research with performative and interactive formats, creating spaces where intuitive, embodied, and relational forms of knowledge can be explored.
Smit is the creator of the evolving Soul Constellation Map, an interactive archive investigating recurring identities, archetypal structures, and cultural continuities across history. Her broader body of work includes performances, musical compositions, participatory rituals, installations, and experimental digital environments that examine the relationship between personal experience, collective memory, and larger mythological narratives.
Her work has been presented internationally in theaters, museums, festivals, conferences, and interdisciplinary research contexts.
Visualization of relationship dynamics within the constellation, revealing collaborative networks, soul-lineage pathways, recurring relational patterns, and symbolic connections between historical and contemporary individuals.