Apophatic Art Practice and Research

Connecting with the ineffable in times of flattening

Contributors Project / Editorial Team
  • Merel Visse
  • William Franke
  • Ryan Woodring
  • Béatrice Machet
  • Sarah Travis
  • Enaiê Azambuja
  • Sarah Tarkany
  • Peter Kline
  • Kythe Heller
  • Cailtin Gilson
  • Chelle Stearns

Smita Sen

High Voltage: On The Heart, Defibrillation, and Competing Philosophies of Medicine

What does it mean to defibrillate someone? What happens when we try to revive a heart that stops beating? In 2019, I watched doctors defibrillate my father. They pumped his chest with electricity to bring his heart back to a steady rhythm. The moment stayed with me, not only for its brute force, but also for its surreal, scientific audacity and spiritual impossibility. With defibrillation, it seemed as though medicine was attempting to reach into the seam between life and death. In this preliminary essay, I examine the nature of the heart as a life-giving organ, as an energy center in South Asian religions, and as the site of end-of-life electrical resuscitation — the last line between worlds. My investigation deals with two different histories of cardiac medicine and brings together a variety of archival material, academic literature, religious texts, and medical training documents. The article is broken into four main sections, moving from narrative medicine and personal reflection to historical analysis and critical inquiry. First is the Introduction, a reflection written after witnessing my father’s defibrillation. Power follows, offering a history of defibrillation in contemporary Western medicine. Third is Unstruck Sound, a comparative analysis of the Western and South Asian histories of cardiology and the perceived relationship between the heart and the soul. Last, but not least, is Thresholds, a meditation on critical questions that unravel our understanding of defibrillation, the Anahata chakra, and the heart itself. To illustrate concepts in this essay, I have included archival images and some of my original drawings. This essay, the first in a series, offers more questions than it does answers. In the spirit of apophatic studies, High Voltage steps into the loaded and complex landscape of end-of-life care, piecing together disparate histories and lived realities. This essay is a labor of love, navigating the abstract and unknowable as I try to make sense of what happened to my father’s heart when it was pumped with electricity.

Smita Sen is an artist working with sculpture, dance-based performance, and advanced technology to research the relationships between the body, memory, and medicine. Sen has had solo exhibitions at Recess (2021), the Brooklyn Public Library (2022), Drew University (2023) and the Museum of Contemporary Art, North Miami (2024-25), among others. Her work has been exhibited and performed at The Museum of Modern Art (MoMA), the Frost Art Museum, the Aspen Ideas Festival, the Knockdown Center, and Socrates Sculpture Park. Sen has been featured in the NYTimes, Frieze, The Observer, and Dance Magazine. Her work has been awarded support from institutions including NEW INC, the New Museum’s incubator; Recess; Oolite Arts; and the Miami-Dade County Department of Cultural Affairs. An educator, Sen teaches and designs emerging media programs for schools. Beyond the classroom, Sen leads the Manipura Care Network, a Miami-based nonprofit serving youth caregivers. When she is not making art or teaching, she is dancing and eating mangos. Sen is a graduate of Columbia University (2016).