Apophatic Art Practice and Research

Connecting with the ineffable in times of flattening

Contributors Project / Editorial Team
  • Merel Visse
  • William Franke
  • Ryan Woodring
  • Béatrice Machet
  • Sarah Travis
  • Enaiê Azambuja
  • Sarah Tarkany
  • Peter Kline
  • Kythe Heller
  • Cailtin Gilson
  • Chelle Stearns

Alexandre Sorokin

Noë / Red Cloud: An Apophatic Artistic Research Project

Noë / Red Cloud is a hybrid literary and visual artistic research project that brings together narrative writing, colour-based practice, silence, memory, voice, and inner metamorphosis. It develops from my long-term visual project Red Cloud, in which colour is not used as decoration, but as a structural way of approaching emotional and perceptual states that cannot be fully translated into conceptual language. The narrative project Noë extends this research into literary form. It follows a child moving through threshold spaces and inner worlds where memory, silence, voice, and presence take on spatial and atmospheric form. These worlds are not symbolic settings with fixed meanings. They emerge as ontological environments: inner states become worlds, and the narrative moves through them without reducing them to explanation.

The project is apophatic in method because it approaches what cannot be directly said through indirection, disappearance, recurrence, veiling, and incomplete revelation. The ocean, the house, the bell, the door, the flame, and the fading of memory function not as explanatory symbols, but as threshold forms through which the work approaches oblivion, transition, and the limits of representation.

For the apophatic.art project, I propose Noë / Red Cloud as a literary and visual contribution to artistic research on the unsayable. Text and image are conceived as parallel forms of inquiry: they do not illustrate one another, but belong to the same perceptual syntax of colour, atmosphere, silence, and metamorphosis.

Alexandre Sorokin is a multidisciplinary artist and independent researcher based in France. His practice brings together visual art, narrative writing, colour-based research, and philosophical reflection on inner states, memory, silence, and metamorphosis. Before moving to France, he worked in museum and research contexts in Moscow while developing his long-term project Red Cloud, which explores emotional and perceptual states through colour, form, and atmospheric presence.

His current project Noë / Red Cloud extends this visual research into literary and image-based form. Through narrative, drawing, and colour, Sorokin investigates how inner experience can become spatial, atmospheric, and ontological rather than merely psychological or symbolic. His work has been presented in exhibitions including Red Cloud at the Russian Cultural Center in Paris and Apparitions: Red Cloud in Rouen.

Noë in the City of Vilis: Café Scene, 2025, coloured pencil on paper. Image credit © Alexandre Sorokin.
Noë in the Forest of Voices, 2019, coloured pencil on paper. Image credit © Alexandre Sorokin.
Noë on New Year’s Night, 2022, coloured pencil on paper. Image credit © Alexandre Sorokin.