Connecting with the ineffable in times of flattening
- Dr. Alessia Lupo Cecchet, La Montagna Addolorata [The Sorrowful Mountain]
- Alex Beth Schapiro, The Third That Remains: Rituals for Patients I Never Met
- Alexandre Sorokin, Noë / Red Cloud: An Apophatic Artistic Research Project
- Dr. Ally Zlatar, Worshipping The Porcelain Throne; Apophatic Autoethnography and Eating Disorders
- Béatrice Machet, Paul Auster-apophatically-
- Bob Kalivac Carroll, Disruption and Apophasis: Ineffability and the Object Conundrum in Nonobjective Abstract Visual Art
- Caitlin Gilson and Carol Scott, A Conversation on Color: Poetry and Painting as Image, Glimpse, Moment
- Caitlin Mary Margarett Sørensdatter, The Fruits (Solastalgia in Skønvirke)
- Casey (Asana) Hughes, The Significance of Insignificance
- Chandni Dhanesh Jeswani, What the City Refuses: Apophatic Cosmology and Structural Illegibility in Varanasi
- The Coven Collective: Chaelim Lim, Dima Mabsout, M. Maybee Salters, Nicole Sarmiento, and Tyler Rai, [Picking up shells amid a tsunami] 쓰나미가 밀려오는데, 조개나 줍고 있네.
- Daniel Martin and Dr. Marty Tomszak, Souls Moved by Intelligent Energies: Practice-Led Iconic Research and the Apophatic Theology of Pseudo-Dionysius the Areopagite
- Denise Gawley DMH MSN RN, Standing in the After
- Denise Gieseke, In the Movement of Dissolution
- Diana Rojas, Query v2; Subject to the Immaterial; Surveying the Messenger 1 & 2
- ELAWIATR / New Renaissance ART-IST, What Is Art – Apophatic Language in Fracture
- Eliza Swann, The eyeless mind
- Pr. émérite Emmanuel Gabellieri, L’expression et l’inexprimé
- Dr. Evgenii Matveev, Apophatic representation of Russia in Russian poetry
- Faizaan Ahab, Move
- Frank Smith, Les Films non exécutables
- Gabriel Figueroa, The Aunt and the Saint
- Giulia Taurino, Ceci N’est Pas Une Archive: Negative Metadata and the Apophasis of Digital Records
- Dr. Gitanjaly Chhabra and Dr. Kathleen (Kaye) Hare, What Remains Unsaid: Apophatic Erasure in Academic Life and Luminous Edge of Absence
- Hamid Roslan, The Encounter
- iris yuting zeng, The Knot Before Language
- Ishita Dharap, Lossyness: Negotiations with what Routinely Escapes
- Jennifer Toriello, D. Litt., Held by What We Hold: Apophatic Weight and Embodied Practice in The Magic Hour
- Kaleb Ostraff, Touchpoints for the Ineffable
- Karin de Weille, Undone (spoken words)
- Keiran Dugan, Against Immediacy: Fictional Mediation and Apophatic Representation
- KPrevallet, Nothing Erased But Much Submerged
- Dr. Kythe Letitia Heller, S
- Dr. Laura McCullough, Compassionate Curiosity, Apophatic Storytelling, & the Healing Imagination: The Coordinates of Being
- Leslie N. Polk, peace, Colleague #2
- Dr. Lily Filson, The God in the Grotto: Renaissance Automata, Theurgy, and Apophatic Practice
- Marco Nieli, EKPHRASIS I, 121 ecphrastic carmina); EKPHRASIS II, 128 ecphrastic carmina in the 4 styles, with some haiku
- Martin Lenclos, Perception Is the First Creative Act: Toward an Apophatic Reading of Design for Nothing
- Martin Robb, Embracing the unknown: researching the hidden life and enigmatic art of Theodor Kern
- Mayson Taylor, 16 SHOWINGS Toward a Feminist Apophatic Art Practice
- Merel Thijs, On the colours of being: onto-teleological considerations on the artistic-creative process; With closed eyes open: portraits of the mind unwinding
- Mike Petrakis, Arteryficial Intelligence
- Nadine M. Kalin, What Is Withheld Does Not Lack: Waystop Pedagogy as Earth Scores in the Critical Zone
- Natalia Espinel and samantha shoppell, Un/wrapping Vulnerability
- Noelle Derksen, Apophasis and Trans Abstraction
- Radmila Djurica, Body in the Glitch
- Sarah Tarkany, Reticulated Silences
- Smita Sen, High Voltage: On The Heart, Defibrillation, and Competing Philosophies of Medicine
- Sophie Auger, third-image-archive.net
- Stephanie Smit (Giek), Soul Constellation Map — An Interactive Archive of Recurring Identities Across Time
- V.E. Haddad, the feeling when; Dream Commons
- Wayne Adams, Cloud of Unknowing
- William Franke, Desert and Sea: Apophatic Land/Sea Scapes
- Merel Visse
- William Franke
- Ryan Woodring
- Béatrice Machet
- Sarah Travis
- Enaiê Azambuja
- Sarah Tarkany
- Peter Kline
- Kythe Heller
- Cailtin Gilson
- Chelle Stearns
Dr. Alessia Lupo Cecchet
La Montagna Addolorata [The Sorrowful Mountain]
La Montagna Addolorata is a five-channel video installation part of an ongoing interdisciplinary project that investigates historical memory and human violence through an engagement with non-human bodies as a point of inquiry. It relates to my upbringing in the Dolomite Mountains (Northern Italy), their role during World War I, and the marks of violence that they still carry. To humans, this memory seems to be lost. Like a sedimentary rock, human memory results from a layering of experiences, imaginations, and rewritings, as well as a process of erosion, by which memories fade and chip away. This is true for personal and collective memories, allowing for new reinterpretations of the past, erasure, and the perpetuation of injustices. As I move through this research I work to center a nonhierarchical experimentation, where the journeys of researching, making, and failing are as important as the final outcome.
See also: Dolasilla (2023-onoing)
Alessia Lupo Cecchet is an interdisciplinary artist who works at the intersection of studio and media arts. Grounding her work in object-making, video, and history, she explores matters of decay, abjection, empathy, human exceptionalism, and temporality. Through an engagement with the nonhuman body as an access point for inquiry, she interrogates matters of knowledge-making and power. Alessia Lupo grew up in the Dolomite Mountains of Northern Italy and is now based in Los Angeles, CA. Alessia Lupo believes in a meaningful society that pays attention and asks questions.