Connecting with the ineffable in times of flattening
- Dr. Alessia Lupo Cecchet, La Montagna Addolorata [The Sorrowful Mountain]
- Alex Beth Schapiro, The Third That Remains: Rituals for Patients I Never Met
- Alexandre Sorokin, Noë / Red Cloud: An Apophatic Artistic Research Project
- Dr. Ally Zlatar, Worshipping The Porcelain Throne; Apophatic Autoethnography and Eating Disorders
- Béatrice Machet, Paul Auster-apophatically-
- Bob Carroll, Disruption and Apophasis: Image Consciousness, Ineffability and the Object Conundrum in Nonobjective Abstract Visual Art
- Caitlin Gilson and Carol Scott, A Conversation on Color: Poetry and Painting as Image, Glimpse, Moment
- Caitlin Mary Margarett Sørensdatter, The Fruits (Solastalgia in Skønvirke)
- Casey (Asana) Hughes, The Significance of Insignificance
- Chandni Dhanesh Jeswani, What the City Refuses: Apophatic Cosmology and Structural Illegibility in Varanasi
- The Coven Collective: Chaelim Lim, Dima Mabsout, M. Maybee Salters, Nicole Sarmiento, and Tyler Rai, [Picking up shells amid a tsunami] 쓰나미가 밀려오는데, 조개나 줍고 있네.
- Daniel Martin and Dr. Marty Tomszak, Souls Moved by Intelligent Energies: Practice-Led Iconic Research and the Apophatic Theology of Pseudo-Dionysius the Areopagite
- Denise Gawley DMH MSN RN, Standing in the After
- Denise Gieseke, In the Movement of Dissolution
- Diana Rojas, Query v2; Subject to the Immaterial; Surveying the Messenger 1 & 2
- ELAWIATR (Sarah Cohen), What Is Art – Apophatic Language in Fracture
- Eliza Swann, The eyeless mind
- Emmanuel Gabellieri, Expression and the Unexpressed
- Dr. Evgenii Matveev, Apophatic representation of Russia in Russian poetry
- Faizaan Ahab, Move
- Frank Smith, Les Films non exécutables
- Gabriel Figueroa, The Aunt and the Saint
- Giulia Taurino, Ceci N’est Pas Une Archive: Negative Metadata and the Apophasis of Digital Records
- Hamid Roslan, The Encounter
- Iris Zeng, Practicing as Research Method: Applied art and Apophatic Thought
- Ishita Dharap, Lossyness: Negotiations with what Routinely Escapes
- Jennifer Toriello, D. Litt., Held by What We Hold: Apophatic Weight and Embodied Practice in The Magic Hour
- K Prevallet, Nothing Erased But Much Submerged
- Kaleb Ostraff, Touchpoints for the Ineffable
- Dr. Kathleen (Kaye) Hare and Dr. Gitanjaly Chhabra, On Land, In Absence: Apophatic Erasure as Immersive Decolonial Praxis
- Karin de Weille, Undone (spoken words)
- Keiran Dugan, Against Immediacy: The Importance of Continuing to Forefront Fictionality and Style in Literature
- Dr. Kythe Letitia Heller, S
- Dr. Laura McCullough, Compassionate Curiosity, Apophatic Storytelling, & the Healing Imagination: The Coordinates of Being
- Leslie Polk, peace, Colleague
- Dr. Lily Filson, The God in the Grotto: Renaissance Automata, Theurgy, and Apophatic Practice
- Marco Nieli, EKPHRASIS I, 121 ecphrastic carmina); EKPHRASIS II, 128 ecphrastic carmina in the 4 styles, with some haiku
- Martin Lenclos, Perception Is the First Creative Act: Toward an Apophatic Reading of Design for Nothing
- Martin Robb, Embracing the unknown: researching the hidden life and enigmatic art of Theodor Kern
- Mayson Taylor, 16 SHOWINGS, Toward a Feminist Apophatic Art Practice
- Merel Thijs, On the colours of being: onto-teleological considerations on the artistic-creative process; With closed eyes open: portraits of the mind unwinding
- Mike Petrakis, Arteryficial Intelligence
- Nadine M. Kalin, What Is Withheld Does Not Lack: Waystop Pedagogy as Earth Scores in the Critical Zone
- Natalia Espinel and samantha shoppell, Un/wrapping Vulnerability
- Noelle Derksen, Apophasis and Trans Abstraction
- Sophie Auger, third-image-archive.net
- Radmila Djurica, Body in the Glitch
- Sarah Tarkany, Reticulated Silences
- Smita Sen, High Voltage: On The Heart, Defibrillation, and Competing Philosophies of Medicine
- Stephanie Smit (Giek), Soul Constellation Map — An Interactive Archive of Recurring Identities Across Time
- V.E. Haddad, the feeling when; Dream Commons
- Wayne Adams, Cloud of Unknowing
- William Franke, Desert and Sea: Apophatic Land/Sea Scapes
- Merel Visse
- William Franke
- Ryan Woodring
- Béatrice Machet
- Sarah Travis
- Enaiê Azambuja
- Sarah Tarkany
- Peter Kline
- Kythe Heller
- Cailtin Gilson
- Chelle Stearns
Véra (V) Haddad
the feeling when
the feeling when is a 7 minute video work depicting dialogue between two friends over the phone. The intonation, timing and cadence of each performer is derived from them typing all of their dialogue as they performed it. Featuring Sahar Khraibani, Youlim Nam, original score by Emily A. Sprague, and cinematography by Adam Baron-Bloch.
Dream Commons
Dream Commons is an ongoing, in-process experimental documentary project exploring and memorializing peoples dream lives. Formed through connecting with strangers, building trust in shared time and collaboration. When the camera is on we make something together – some choose to recreate a scene from a dream; others reflect on the touch points of their dream-worlds and waking lives. These free-form, candid dream shares unfold alongside regional landscapes and fragments of local AM-radio, grounding each story in time and place.
Véra (V) Haddad is a filmmaker and visual artist who centers relationships, shared authorship to tell stories that cultivate interconnectivity. V earned an MFA from UCLA’s New Genres program, a BFA from The Cooper Union, and was named one of Filmmaker Magazine's 25 New Faces of Independent Film. Haddad is the director and editor of Slopehouse Productions where they have co-created music centered documentaries and videos for over a decade. They received the 2021 Lange-Taylor Prize from the Center for Documentary Studies at Duke University for their ongoing collaborative portraiture project “Self Portrait Service” alongside their collaborator Sam Richardson. Haddad is an alumni of The Lighthouse Works, Ucross, Vermont Studio Center and Monson Arts fellowships; and also self-distributes their work in artist run spaces and on the internet in an effort to make their work as accessible as possible and share creative experiences outside of institutions.