Connecting with the ineffable in times of flattening
- Dr. Alessia Lupo Cecchet, La Montagna Addolorata [The Sorrowful Mountain]
- Alex Beth Schapiro, The Third That Remains: Rituals for Patients I Never Met
- Alexandre Sorokin, Noë / Red Cloud: An Apophatic Artistic Research Project
- Dr. Ally Zlatar, Worshipping The Porcelain Throne; Apophatic Autoethnography and Eating Disorders
- Asana Hues, The Significance of Insignificance
- Béatrice Machet, Paul Auster-apophatically-
- Bob Kalivac Carroll, Disruption and Apophasis: Ineffability and the Object Conundrum in Nonobjective Abstract Visual Art
- Caitlin Gilson and Carol Scott, A Conversation on Color: Poetry and Painting as Image, Glimpse, Moment
- Caitlin Mary Margarett Sørensdatter, The Fruits (Solastalgia in Skønvirke)
- Chandni Dhanesh Jeswani, What the City Refuses: Apophatic Cosmology and Structural Illegibility in Varanasi
- The Coven Collective: Chaelim Lim, Dima Mabsout, M. Maybee Salters, Nicole Sarmiento, and Tyler Rai, [Picking up shells amid a tsunami] 쓰나미가 밀려오는데, 조개나 줍고 있네.
- Daniel Martin and Dr. Marty Tomszak, Souls Moved by Intelligent Energies: Practice-Led Iconic Research and the Apophatic Theology of Pseudo-Dionysius the Areopagite
- Denise Gawley DMH MSN RN, Standing in the After
- Denise Gieseke, In the Movement of Dissolution
- Diana Rojas, Query v2; Subject to the Immaterial; Surveying the Messenger 1 & 2
- ELAWIATR, What Is Art – Apophatic Language in Fracture
- Eliza Swann, The eyeless mind
- Pr. émérite Emmanuel Gabellieri, L’expression et l’inexprimé
- Dr. Evgenii Matveev, Apophatic representation of Russia in Russian poetry
- Faizaan Ahab, Move
- Frank Smith, Les Films non exécutables
- Gabriel Figueroa, Chiesa
- Giulia Taurino, Ceci N’est Pas Une Archive: Negative Metadata and the Apophasis of Digital Records
- Dr. Gitanjaly Chhabra and Dr. Kathleen (Kaye) Hare, What Remains Unsaid: Apophatic Erasure in Academic Life and Luminous Edge of Absence
- Hamid Roslan, The Encounter
- iris yuting zeng, The Knot Before Language
- Ishita Dharap, Lossyness: Negotiations with what Routinely Escapes
- Jennifer Toriello, D. Litt., Held by What We Hold: Apophatic Weight and Embodied Practice in The Magic Hour
- Kaleb Ostraff, Touchpoints for the Ineffable
- Karin de Weille, Undone (spoken words)
- Keiran Dugan, Against Immediacy: Fictional Mediation and Apophatic Representation
- KPrevallet, Nothing Erased But Much Submerged
- Dr. Kythe Letitia Heller, S
- Dr. Laura McCullough, Compassionate Curiosity, Apophatic Storytelling, & the Healing Imagination: The Coordinates of Being
- Leslie N. Polk, peace, Colleague #2
- Dr. Lily Filson, The God in the Grotto: Renaissance Automata, Theurgy, and Apophatic Practice
- Marco Nieli, EKPHRASIS I, 121 ecphrastic carmina); EKPHRASIS II, 128 ecphrastic carmina in the 4 styles, with some haiku
- Martin Lenclos, Perception Is the First Creative Act: Toward an Apophatic Reading of Design for Nothing
- Martin Robb, Embracing the unknown: researching the hidden life and enigmatic art of Theodor Kern
- Mayson Taylor, 16 SHOWINGS Toward a Feminist Apophatic Art Practice
- Merel Thijs, On the colours of being: onto-teleological considerations on the artistic-creative process; With closed eyes open: portraits of the mind unwinding
- Mike Petrakis, Arteryficial Intelligence
- Nadine M. Kalin, What Is Withheld Does Not Lack: Waystop Pedagogy as Earth Scores in the Critical Zone
- Natalia Espinel and samantha shoppell, Un/wrapping Vulnerability
- Noelle Derksen, Apophasis and Trans Abstraction
- Radmila Djurica, Body in the Glitch
- Sarah Tarkany, Reticulated Silences
- Smita Sen, High Voltage: On The Heart, Defibrillation, and Competing Philosophies of Medicine
- Sophie Auger, third-image-archive.net
- Stephanie Smit (Giek), Soul Constellation Map — An Interactive Archive of Recurring Identities Across Time
- V.E. Haddad, the feeling when; Dream Commons
- Wayne Adams, Cloud of Unknowing
- William Franke, Desert and Sea: Apophatic Land/Sea Scapes
- Merel Visse
- William Franke
- Ryan Woodring
- Béatrice Machet
- Sarah Travis
- Enaiê Azambuja
- Sarah Tarkany
- Peter Kline
- Kythe Heller
- Cailtin Gilson
- Chelle Stearns
Learning
Hybrid Low Residency: Connecting with the Ineffable and Unsayable
(Two-day Hybrid Intensive + Extended Practice on Apophatic Art & Research, open to all)This Intensive seminar, building towards a Fall 2026 exhibition at Drew University’s Korn Gallery and potential publication, combines artistic practice and apophatic inquiry to approach the profoundly unsayable, ineffable, and unquantifiable experiences endemic to human existence. In the age of AI, where complex, nuanced, ambiguous human experiences and expressions are at risk of being flattened into optimized data, and in this moment of fracture, this course is a timely call to students across disciplines to conduct independent and collaborative artistic research in the apophatic tradition; which recognizes that some realities exceed description and can only be approached through indirection, experimentation and negation. Apophatic practice — leaning into what cannot be said or captured directly - is a way of meeting these pressures, including how to engage with AI, through critical-creative practice, without premature answers. It honors the most intricate human experiences — love, grief, solidarity, the slow erosion of certainty, the thing that shifts in a room just before something changes.
This Intensive, consisting of both individual and collaborative art projects and critiques, as well as readings, experiments and discussions, will introduce students to methodologies and frameworks for grappling with and materializing responses to the unsayable dimensions of experience, embodied knowledge, and consciousness that resist codification. A collaborative effort between Professor Merel Visse, author of “Sometimes, Indirect is More Direct” and Professor Ryan Woodring, founder of the Soft Data/Base, enriched by contributions by affiliated partners such as the Center for Apophatic Thought and Culture, Vision Lab, and others, course readings and screenings will pull from Humanities scholarship, Visual and Performing Arts, Data Science, Philosophy and more. Students can engage directly with the instructors' publication and exhibition project on Apophatic Art Practice and Research—a unique opportunity to participate in active research.
Details
This Intensive has two parts, both fully available online, with optional in-person activities on Drew's campus, culminating in an exhibition at the Korn Gallery (Drew University) this Fall. We begin with two full hybrid days — Saturday, August 29, and Sunday, August 30 — running from 10:00 AM to 7:00 PM EDT (open to all, whether joining on campus or via Zoom). Campus participants are invited to share dinner and an optional evening program on Saturday. Following the opening weekend, the Intensive continues with synchronous Zoom sessions every Tuesday evening from September 8 through October 27, 7:05–9:35 PM EDT, complemented by instructor-led asynchronous activities, including personalized mentorship from the instructors.
Audience
- Artists, scholars, art researchers, art educators across the globe
- Degree and non-degree students
Building blocks
- Opening Intensive: August 29–30, 10:00 AM–7:00 PM (hybrid)
- Weekly Sessions: Tuesdays, September 8–October 27, 7:05–9:35 PM (online, synchronous)
- Along with instructor-led asynchronous activities, including personalized mentorship
- Optional: Publication, Exhibition at various satellite locations.
Pricing
For applicants who want to take the course without credit, please fill out this pre-registration form. Questions? Contact Professor Merel Visse or Professor Ryan Woodring via email.